Erschienen von 1993 bis 2015, findet man in den zwölf Bänden „De Clavicordio“ folgende Inhalte:
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De Clavicordio I.
Proceedings of the International Clavichord Symposium, Magnano, 9–11 September 1993. Edited by Bernard Brauchli, Susan Brauchli, Alberto Galazzo. 287 pages. Magnano 1994.
| Referenten | Themen |
|---|---|
| Derek Adlam | The Importance of the Clavichord in the Evolution of the New Musical Aesthetic in Eighteenth-Century Germany and in the Development of the Fortepiano and its Repertoire |
| John Barnes | Reconstruction of Douwes’ Clavichord |
| Frances Bedford | Twentieth Century Clavichord Music |
| Joan Benson | Clavichord Technique in the Mid-Twentieth Century |
| Clifford J. Boehmer | A Structural Analysis of the Clavichord |
| Bernard Brauchli | A Comprehensive List of Iconographical Documents on the Clavichord |
| Grant O’Brien | Stringing Materials and Gauges for Clavichords by I. C. Gerlach and H. A. and J. A. Hass |
| Alan S. Caro | Some Ideas and Experiments on the Evolution of Clavichord Design |
| Jörg Gobeli | Ultrasound, a Possible Means of Judging the Quality of Wood |
| Christopher Hogwood | A Case of the Clavichord |
| Christopher Hogwood | Closing Statement |
| Alfons Huber | The Hexagram as a String Partition Canon for Fretted Instruments |
| John Koster | The Stringing and Pitches of Historical Clavichords |
| Edward L. Kottick | From Rags to Riches: a Survey of Clavichord Decoration |
| Renato Meucci | “S’i monacordo gentile stromento.” The Terminology of the Clavichord in Italy |
| Angelo Mondino | The Intarsia of Urbino |
| Rita Peiretti | Contemporary Clavichord Music in Italy |
| Nelly van Ree Bernard | The Keyed Monochord |
| Beverly J. Sing | Johann Gottfried Herder and the Clavichord |
| Thomas Friedemann Steiner | Clavichord No. 2 and 3 in the Leipzig Collection. Some Complementary Thoughts About Their Origins |
| Gerhard Stradner | Six Clavichords Newly Acquired by the Kunsthistorisches Museum in Vienna |
| Luigi Ferdinando Tagliavini | An Anonymous, Sixteenth-Century Italian Clavichord in the L. F. Tagliavini Collection, Bologna |
| Jean Tournay | Comments on German Clavichord Sources |
| Koen Vermeij | A Contribution to Dating Hubert Clavichords |
| Benjamin Vogel | The Clavichord as an Instrument and as a Term in Polish Musical Culture |
| Lance Whitehead | The Laying-out of Hass Clavichords |
| Alberto Galazzo | Index of Names |
De Clavicordio II.
Proceedings of the International Clavichord Symposium, Magnano, 21–23 September 1995. Edited by Bernard Brauchli, Susan Brauchli, Alberto Galazzo. 274 pages, 22 illustrations. Magnano 1996.
| Referenten | Themen |
|---|---|
| Benedikt Claas | The Clavichord – Spiritual Foundation of Musical Instruments |
| Jane Johnson | The Clavichord and Sixteenth-Century Iberian Music for Keyboard, Harp, or Vihuela |
| Luigi Ferdinando Tagliavini | A Curious Eighteenth-Century Clavichord |
| Bohuslav Cizek | Clavichords in the Czech Lands |
| Joel Speerstra | Towards an Identification of the Clavichord Repertoire among C. P. E. Bach’s Solo Keyboard Music: Some Preliminary Conclusions |
| Beverly Woodward | The Probestücke and C. P. E. Bach’s Versuch über die wahre Art das Clavier zu spielen. |
| Bernard Brauchli and Jörg Gobeli | Restoration of an Eighteenth-Century German Clavichord by Egidius Heyne (1781) |
| Koen Vermeij | Eighteenth-Century Lovers of the Clavichord: Which Makers did They Prefer? |
| Grant O’Brien | The Clavichord by G. C. Rackwitz (Stockholm, 1796), a Preliminary Study with a View to Possible Restoration |
| Thomas Friedemann Steiner | European Eighteenth-Century Scientists and the Clavichord |
| Paul Simmonds | An Introductory Survey of the Keyboard Works of Ernst Wilhelm Wolf |
| John Koster | The “Still, Small Voice” and the Exploration of Inner Musical Space |
| Christoper Hogwood | A Repertoire for the Clavichord (Including a Brief History of Bebung) |
| Menno van Delft | The Clavichord Composer Johann Gottfried Müthel – A Survey |
| Beverly J. Sing | The Clavichord in the Musical Press of the Nineteenth Century |
| Derek Adlam | Arts and Crafts and the Clavichord, The Revival of Early Instrument Building in England |
| Richard Troeger | The Dolmetsch / Chickering Clavichords and their Model |
| Bruce W. Glenny | Herbert Howells: Aspects of Twentieth-Century English Revivalism as Seen in “Lambert’s Clavichord” |
| John Barnes | The Parallel between the Harpsichord and Clavichord Revivals in the Twentieth Century |
| Harm Vellguth | A Simple Stringing Method or An Ancient Craftsman’s Trick ? |
| Bernard Brauchli | Keyboard Works of Franz Seydelmann (1748–1806) |
| Jean-Jacques Dünki | Tetrapteron, A Keyboard Quartet: The Difficulty of Integrating the Sounds of Piano, Harpsichord, Celesta and Clavichord |
| Alan Caro | The Keybase Project: A Proposal for a Standard Historic Keyboard Archiving Database |
| Alberto Galazzo | Corrigenda et Addenda to B. Brauchli, E. L. Kottick and to L. F. Tagliavini in De Clavicordio I / Index of Names |
De Clavicordio III.
Proceedings of the International Clavichord Symposium, Magnano, 24–28 September 1997. Edited by Bernard Brauchli, Susan Brauchli, Alberto Galazzo. 296+viii pages, 13 colour and 18 black and white illustrations. Magnano 1997. ISBN 88-900269-0-1.
| Referenten | Themen |
|---|---|
| Darryl Martin | The Van Hemessen Clavichord and the Early Flemish Clavichord School |
| Howard Schott | Froberger and the Clavichord |
| Bernard Brauchli | The Clavichord on the Iberian Peninsula |
| Koen Vermeij | In Praise of the Five-Octave Fretted Clavichord |
| Paul Simmonds | Abstossen, Schleifen and Das Algemeine Fortgehen – Thoughts on Clavichord Touch |
| Peter Bavington | Keylever, Tangent and String – A Preliminary Analysis of Clavichord Touch and Action |
| Derek Adlam | Clavichord Touch – Mechanics and Music |
| Joel Speerstra | The Pedal Clavichord as a Pedagogical Tool for Organists |
| Alicija Knast | The 1754 Clavichord of J. A. Haas in the National Museum of Poznan, Poland |
| Peeka Vapaavuori | Historical Clavichords in Finland |
| Giorgio Campanaro | A Survey of Sturm und Drang |
| Owen Jander | The Clavichord as Metaphor in late Eighteenth-Century Portraiture |
| Christopher Hogwood | “The Inconstant and Original Johann Wilhelm Hässler” – His 1786 Autobiography and a Thematic Catalogue of his Keyboard Works to 1790 |
| Richard Maunder | Viennese Clavichords and Their Makers |
| John Barnes | Haydn’s Clavichord |
| Sally Fortino | Woman Composers Associated with Joseph Haydn – A Short Introduction to Some “New” Keyboard Repertoire |
| Richard Fuller | Affekt and Rhetorik in the Clavier Music of C. P. E. Bach and Suggested Applications in the Music of Joseph Haydn |
| Jean-Jacques Dünki | Composing “with” the Clavichord – A Contemporary Experience |
| Christine Hedinger | Kurt Hessenberg’s “Zehn Kleine Präludien”, Op. 35, for Piano or Clavichord |
| Bernard Brauchli | Addenda II to Bernard Brauchli’s “A Comprehensive List of Iconographical Documents on the Clavichord” De Clavicordio [Magnano Proceedings I] (Pages 81–92) |
| Alberto Galazzo | Index of Names |
De Clavicordio IV.
Proceedings of the International Clavichord Symposium, Magnano, 8–11 September 1999. Edited by Bernard Brauchli, Susan Brauchli, Alberto Galazzo. 225 pages, 34 black and white illustrations. Magnano 2000. ISBN 88-900269-1-x.
| Referenten | Themen |
|---|---|
| Annette Richards | C. P. E. Bach’s “Farewell” and the Speaking Clavichord |
| David Schulenberg | When Did the Clavichord Become C. P. E. Bach’s Favourite Instrument? An Inquiry into Expression, Style and Medium in Eighteenth-Century Keyboard Music |
| Christopher Hogwood | “Our Old Great Favourite” – Burney, Bach and the Bachists |
| Mary Sue Morrow | The Clavichord Resounds, or the Wider Influence of C. P. E. Bach’s Empfindsamer Keyboard Style |
| Darrell Berg | C. P. E. Bach’s Songs for Clavichord |
| Alfons Huber and Ana Savarain de Graf | A Clavichord from Peru in the Period of the Imperial Vice-Royalty |
| Darryl Martin | Tangent Layout and Triple-Fretted Clavichord Tuning |
| Laurence Libin and Sabine K. Klaus | Two Spanish Clavichords in Private U. S. Collections |
| Eva Helenius-Öberg | The Swedish Clavichord around 1800 |
| Jenny Nex and Lance Whitehead | A Preliminary Investigation into the Stringing of Swedish Clavichords |
| Joel Speerstra | Documenting a Clavichord by Lindholm and Söderström and a Brief History of Swedish Measurements |
| Derek Adlam | Conservation Ethics |
| Peter Bavington | A Maker’s Secrets Revealed: Restoration of a 1784 Clavichord by C. G. Hoffmann |
| Stewart Pollens | A Pantalonclavichord by C. Kintzing of Neuwied, 1763 |
| Bernard Brauchli | Addenda and Corrigenda III to Bernard Brauchli’s “A Comprehensive List of Iconographical Documents on the Clavichord” De Clavicordio [Magnano Proceedings I] (Pages 81–92) |
| Alberto Galazzo | Index of Names |
De Clavicordio V.
Proceedings of the International Clavichord Symposium, Magnano, 5–8 September 2001. Edited by Bernard Brauchli, Alberto Galazzo, Ivan Moody. 323 pages, 55 black and white illustrations. Magnano 2002. ISBN 88-900269-2-8.
| Referenten | Themen |
|---|---|
| Laurence Libin | Two “Travelling” Clavichords by Unknown Makers |
| Alfons Huber | Mozart’s “Reiseclavier” |
| Michael Zapf | Handing down the Tradition: the Survival of Bach’s Finger Technique in an Obscure Nineteenth-Century Clavier Tutor |
| Bernard Brauchli | The Clavichord as the Key to the Study of all other Keyboard Instruments |
| Johann Sonnleitner | The Clavichord in the Expanded Tone System |
| Florian Sonnleitner | The Klavikantal – A new Type of Clavichord in Development |
| Jörg Gobeli | A Diagram for Visualization and Interpretation of the Intervals of Historical Temperaments |
| Derek Adlam | Missing Instruments |
| Grant O’Brien | The Case, Stringing and Fretting of the 1543 Venetian Clavichord by Dominicus Pisaurensis |
| Paul Simmonds | Embellished Repeats in Late Eighteenth-Century Clavichord Repertoire |
| John Whitelaw | The Singing Hand |
| Eva Helenius-Öberg | Musikaliskt Tidsfördrif as a Mirror of Clavichord Culture in Sweden |
| Pamela Ruiter-Feenstra | Roman and Zellbell: Secular and Sacred Contexts for Improvisation on the Swedish Clavichord |
| Joel Speerstra | Two Mid-Eighteenth-Century Swedish Clavichords: a Professional Instrument by an Amateur Builder and an Amateur Instrument by a Professional One |
| Peter Bavington | A Clavichord by Johann David Schiedmayer |
| Jenny Nex and Lance Whitehead | Three Eighteenth-Century Schools of Clavichord Building: a Comparative Study |
| Dorthe Falcon Møller | The Clavichord in Denmark – Builders and Instruments |
| Christopher Hogwood | The Copenhagen Connection: Resources for Clavichord Players in Eighteenth-Century Denmark |
| Bernard Brauchli | A Comprehensive List of Iconographical Documents on the Clavichord |
| Alberto Galazzo | Cumulative Index of Names (Volumes I–V) |
De Clavicordio VI.
Proceedings of the International Clavichord Symposium, Magnano, 10–13 September 2003. Edited by Bernard Brauchli, Alberto Galazzo, Ivan Moody. 200 pages, 33 black and white illustrations. Magnano 2004. ISBN 88-900269-3-6.
| Referenten | Themen |
|---|---|
| Alfons Huber | Iron Scale or Brass Scale – When Were These Concepts First Used |
| Lothar Bemmann | The Decline and Revival of the Clavichord |
| Lorenz Gadient | The Twofold Usage of the Term ‘Second’ in Musical Tempo Measurement from the Seventeenth to the Eighteenth Century |
| Gregory Crowell | Every Player’s First Grammatica: Reflections on Clavichord Technique in Context |
| Maria Erdman | “The Tablature of Music or Musical Practice” by Jan Alexander Gorczyn: a Source for Polish Clavichord Practice in the Seventeenth Century |
| Luisa Morales | Clavichords and Harpsichords in Cloisters: a New Approach to the Eighteenth-Century Keyboard Repertoire in Spanish Convents |
| Dorthe Falcon-Møller | Magnus Christensen, a Danish Builder of Clavichords from the Mid-Eighteenth Century |
| Eva Helenius-Öberg | The Clavichord in Sweden before 1700 |
| Thomas Glück | Rack Division – The Fingerprint of Historical Fretted Clavichords |
| Emi Saeki | Jesuit Missionaries and the Clavichord in the Orient |
| Andreas Hermert | A Seventeenth-Century Clavichord from Poland |
| Uta Henning | The Care of the Rare – First-Aid in Musical Iconography |
| Joan Benson | Clavichord Perspectives from Goethe to Pound |
| Derek Adlam | An English Repertoire for a Sixteenth-Century Clavichord |
| Christopher Hogwood | The Clavichord and its Repertoire in France and England before 1700 – A Summary and a New Manuscript Source |
| Christopher Hogwood and Bernard Brauchli | The Clavichord in Britain and France: A Selection of Documentary References before 1700 |
| Bernard Brauchli | Addenda and Corrigenda to Bernard Brauchli’s “A Comprehensive List of Iconographical Documents on the Clavichord”, De Clavicordio V [Magnano Proceedings 2001], pages 273–295 |
| Alberto Galazzo | Index of Names |
De Clavicordio VII.
Proceedings of the International Clavichord Symposium, Magnano, 7–10 September 2005. Edited by B. Brauchli, J. Wardman, A. Galazzo. 310 pages, 33 black and white illustrations. Magnano 2006. ISBN 88-900269-4-4.
| Referenten | Themen |
|---|---|
| Uta Henning | Clavichord Reception in Russia: with Special Reference to the Bach Family |
| Juan Luìs Garcìa Orozco and Pablo Padilla | Perspectives on the Clavichord in New Spain |
| Juan Luìs Garcìa Orozco and Pablo Padilla | Mexican Clavichords |
| Grant O’Brien | The Lindholm Clavichord, Stockholm 1791 |
| Eva Helenius | Aspects of the Clavichord in Sweden in the Nineteenth Century |
| David Ledbetter | German and Swedish Keyboard Arrangements of Seventeenth-Century French Lute Music: a Repertory for Fretted Clavichord? |
| Paul Simmonds | Comparison of Two Eighteenth-Century North German Clavichords |
| Peter Bavington | Surviving Clavichords made in Latin America |
| Alfons Huber | Characteristics of some Viennese Clavichords in the Second Half of the Eighteenth Century |
| Laurence Libin | New Insights into Tannenberg’s Clavichords |
| Christophe d’Alessandro, Brian F. G. Katz and Francois Boudet | On the Acoustics of the Clavichord |
| Luc Breton | Pseudo-Amplification: a Physical Principle of Stringed Instruments Exemplified in the Lute |
| Gregory Crowell | The Clavichord as a Plucked String Instrument |
| Christopher Hogwood | The Keyboard Music of John Dowland |
| Ilton Wjuniski | The Style Luthé in the Harpsichord Works of François Couperin and some Aspects of their Performance on the Clavichord |
| Maria Erdman | The Infiltration of Lute Repertoire into Keyboard Music in Poland in the Sixteenth Century |
| Lothar Bemmann | The Clavichord in Films |
| Bernard Brauchli | Addenda and Corrigenda to Bernard Brauchli’s “A Comprehensive List of Iconographical Documents on the Clavichord”, De Clavicordio V [Magnano Proceedings 2001], Pages 273–295 by Bernard Brauchli |
| Alberto Galazzo | Index of Names |
De Clavicordio VIII.
Proceedings of the International Clavichord Symposium, Magnano, 5–8 September 2007. Edited by B. Brauchli, A. Galazzo, J. Wardman. 250 pages. Magnano 2008. ISBN 978-88-900269-5-9.
| Referenten | Themen |
|---|---|
| Uta Henning | Arnold Dolmetsch and his Bach Clavichord: an Iconographical and Literary Approach |
| Peter Bavington | Arnold Dolmetsch’s Clavichord Making in the Years Before 1914 |
| Cornelia Ullrich-Eberius and Wolfram Ullrich | Macario Santiago Kastner in the Memory of his Family |
| Joan Benson | Studying with Macario Kastner a Half-Century Ago |
| Bernard Brauchli | Interview with Professor Macario Santiago Kastner (Lisbon, July 1984) |
| Bernard Brauchli | Macario Santiago Kastner (1908–1992): Bibliography |
| Gerhard Doderer | The Clavichord in Portugal after 1800 |
| Ilton Wjuniski | Musical Manuscript MM.41 at the Library of Oporto: Performing Intricate Polyphonic Texture on the Clavichord as Compared to the Organ and to the Harpsichord |
| Alfons Huber | Fingerboards of Sixteenth-Century Citterns as a Primary Source for Temperaments of (other) Fretted Instruments |
| Dorothea Demel | The Clavichord in the Encyclopaedia: Eighteenth-Century Musical St. Petersburg (Volumes I–III and VII) |
| Derek Adlam | Clavichords in Georgian England: Handel, Mary Delany and the Granville Family |
| Simon Field | Building a Database of Early Keyboard Instruments: Difficulties and Opportunities |
| Lothar Bemmann | Wie Man Ein Cor Thonig Clavicortium Beziehen Sol – The Organ Maker Johannes Creuzburg (1686–1738) and his Workshop Book |
| Michael Tsalka | A Closer Look at Daniel Gottlob Türk’s Keyboard Sonatas |
| Hans Erik Svensson | An Analysis of Construction Methods Used by Swedish Clavichord Builders |
| Eva Helenius | Gottfried Silbermann and the Swedish Clavichord Tradition |
| Christophe d’Alessandro, Charles Besnainou and Luc Ginieis | Acoustic Portraits of Four Clavichords: Tangent Velocities, Loudness and Decay Times |
| Pierre Verbeek | The Israel Gellinger 1670 Clavichord |
| Bernard Brauchli | Addenda and Corrigenda to Bernard Brauchli’s “A Comprehensive List of Iconographical Documents on the Clavichord”, De Clavicordio V [Magnano Proceedings 2001], Pages 273–295 |
| Alberto Galazzo | Index of Names |
De Clavicordio IX.
Proceedings of the International Clavichord Symposium Magnano, 16–19 September 2009. Edited by B. Brauchli, A. Galazzo, J. Wardman. 250 pages. Magnano 2010. ISBN 978-88-900269-6-6.
| Referenten | Themen |
|---|---|
| Peter Bavington | Clavichords made in Latin America: updates and new discoveries |
| Thomas Donahue | Safety factors for replicas of the 1784 Hubert fretted clavichord in Edinburgh |
| Eva Helenius | The reception of hammer instruments into Swedish clavichord culture – from clavichord to square piano |
| Paul Simmonds | A pantalon clavichord from the Friderici stable? |
| Lothar Bemmann | From clavichord to fortepiano – A survey of builders making both instruments |
| Dorothea Demel | “… Silbermann again” |
| Christophe d’Alessandro | The acoustics of tangent-string interaction in the clavichord compared to hammer-string interaction in the fortepiano |
| Hans Erik Svensson | Clavichords and squares from Pehr Lindholm’s workshop – a comparison |
| Ilton Wjuniski | The twelve sonatas by Friedrich Wilhelm Rust published by Vincent d’Indy and their performance on the clavichord |
| Michael Günther | “Clavier” – clavichord or fortepiano |
| Barend Kraal | A square piano by J. P. Hinrichs (Hamburg 1804) with a curious half-octave ravalement (1839) |
| Koen Vermeij | Christian Gottlob Hubert’s workshop and the Tafelklavier |
| Norberto Broggini | Haydn’s keyboard music in Spanish and Latin American sources |
| Derek Adlam | Architecture parlante – Joseph Haydn, classical sonata form as a fine art of the Enlightenment, and the role of the clavichord |
| Bernard Brauchli | Addenda and corrigenda to Bernard Brauchli’s “a comprehensive list of iconographical documents on the clavichord”, De Clavicordio V [Magnano Proceedings 2001], pages 273–295 |
| Alberto Galazzo | Index of names |
De Clavicordio X.
Proceedings of the tenth International Clavichord Symposium, Magnano, 6–11 September 2011. Edited by B. Brauchli, A. Galazzo, J. Wardman. 284 pages. Magnano 2012. ISBN 978-88-907624-1-3.
| Referenten | Themen |
|---|---|
| Peter Bavington | Reconstructing Mersenne’s clavichord |
| Lothar Bemmann | An early nineteenth century clavichord by Schmahl? |
| Gregory Crowell | Victor Hammer and the revival of the nineteenth-century clavichord |
| Ulrika Davidsson | The pedal clavichord as a tool in keyboard education |
| Dorothea Demel | Lusser clavichords and South Tyrol |
| Eva Helenius | The Swedish clavichord and the Swedish lute – Two nationally developed instruments with a repertoire in common |
| Christopher Hogwood | The keyboard music of Carl Fasch |
| Alfons Huber and Ina Hoheisel | Early clavichord-making between technological, aesthetic and cosmological constraints |
| Barend Kraal | Thoughts on the pedal clavichord by Claas Douwes (The Netherlands, 1699) |
| Francesco Nocerino | The “Regole di Marancio”: new documents on the clavichord in Naples |
| Joel Speerstra | Leipzig and Eisenach: A comparison of the two extant clavichords with independent 16-foot pedals |
| Pierre Verbeek | The Urbino clavichord revisited |
| Bernhard Winkler | Physical and acoustical properties of the clavichord: experiments on selected instruments |
| Bernard Brauchli and Uta Henning | A comprehensive list of iconographical documents on the clavichord |
| Alberto Galazzo | Index of names |
De Clavicordio XI.
Proceedings of the eleventh International Clavichord Symposium, Magnano, 3–7 September 2013. Edited by B. Brauchli, A. Galazzo, J. Wardman. 166 pages. Magnano 2014. ISBN 978-88-907624-2-0.
| Referenten | Themen |
|---|---|
| Alfons Huber | A useful method to find a suitable temperament for fretted clavichords |
| Michael Tsalka | An introduction to the keyboard capriccios by Johann Baptist Wanhal |
| Tomoko Akatsu Miyamoto | A practical introduction to the clavichord |
| Menno van Delft | Carl Philipp Emanuel Bach’s “Damen-Sonaten” |
| José Erasmo Estrada | “Man gewöhnt sich … die tasten gar zu sehr zu schmeicheln”: Some considerations on touch at the clavichord |
| Julian Gammon | Virtual Teaching: “C. P. E. Bach’s Versuch” as a pedagogical medium |
| Ingrid E. Hagen | Sharing the affects of the music |
| Christopher Hogwood | The practice of preluding |
| Joan Benson (in absentia) | The interplay of clavichord and modern piano |
| Albert Mühlböck | Recovering the clavichord for the modern pianist |
| Edward C. Pepe | The Museo Nacional de Historia – Chapultepec Castle Clavichord and the likely identification of its builder, Juan Felipe de Olea |
| Bernard Brauchli | Communication about ‘A comprehensive list of iconographical documents on the clavichord’ |
| Alberto Galazzo | Index |
De Clavicordio XII.
Proceedings of the Twelth International Clavichord Symposium, Magnano, 1–5 September 2015. Edited by B. Brauchli, A. Galazzo, J. Wardman. 127 pages. Magnano 2017. ISBN 978-88-907624-4-4.
| Referenten | Themen |
|---|---|
| Pekka Vapaavuori | Clavichord – A practice instrument or a device of artistic expression ? |
| Michael Tsalka | The first published keyboard sonatas of Joseph Anton Steffan |
| Joan Benson | Teaching with the clavichord in our electronic world |
| David Gerrard | MIMED 4460: The revival clavichord in extremis |
| Fabio Rigali | Soundboard woods |
| Menno Van Delft | The transcendental clavichord – J. P. Kraemer #571 and other clavichords exceeding f3 |
| Esteban Mariño Garza | String length and historical units of measurement: The clavichord from the National Museum of the Viceregal Period,Tepotzotlan, Mexico |
| Derek Adlam | Morris Steinert – A great American collector |
| Ilton Wjuniski | The case of Johann Caspar Ferdinand Fischer’s ‘Ariadne Musica’ (1702): The clavichord as an instrument for performance and pedagogy |
| Norberto Broggini | Arrangements for two keyboard instruments of Johann Sebastian Bach’s organ trio sonatas |
| Alfons Huber and Marianne Siegel | Michael Praetorius’ clavichordium italienischer Mensur. An approximation |
| Alberto Galazzo and Judith Wardman | Index |